While traveling with his father, young Alec becomes fascinated by a mysterious Arabian stallion who is brought on board and stabled in the ship he is sailing on. When it tragically sinks ...
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While traveling with his father, young Alec becomes fascinated by a mysterious Arabian stallion who is brought on board and stabled in the ship he is sailing on. When it tragically sinks both he and the horse survive only to be stranded on a desert island. He befriends it, so when finally rescued, both return to his home where they soon meet Henry Dailey, a once-successful trainer. Together they begin training the stallion to race against the fastest horses in the world.Written by
When the horse is frightened by trash collectors, it is seen to run down a lane. There is a red sports car parked at the end. The car is an MG model TD, which was put into production either late in 1951, or early 1952. It looks period, but isn't. See more »
Dad... you know what I saw? It's the most fantastic thing... come look!
[to the other poker players]
Hey! Look, son, I'll tell you, I'm really busy, but... I'll tell you what I do need. I need some good luck.
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I was so afraid to see this movie. The Black Stallion books defined my life until I was about 14 years old, if not longer (they have always continued in my memory). I read every single book that Mr. Farley wrote, most of them many times over, and I knew every character intimately - how they looked, how they talked, everything about them. And The Black - I know exactly how The Black looked and acted. So - when this movie was announced, 23 years ago, I refused to see it. I could not risk having all of my childhood memories shattered in the course of a 2 hour movie. But recently, in a discussion of favorite movies, a friend mentioned this movie as her favorite. Immediately, I was interested. So, nervously, I rented the movie, and settled in to watch it. My heart started pounding as the opening credits rolled - I was almost breathless waiting for it to start. All I can say is, now that I have seen it, I hate myself for waiting so long. Every detail of the book is captured perfectly, as if Mr. Copolla, Ms. Mathason, et al managed to film all of the images in my head and pour them onto the screen. The cinematography is astonishing, the score is beyond compare as to how well it fits with what is happening on screen. These are the technical details of the film - what is impossible to describe is just how closely this work captures the original book. There is no whiz-bang gadgetry, or special effects, although some young ones may find the shipwreck sequence to be frightening. It is a beautiful story, told masterfully.
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