An insurance lawyer unhappy with his rate of company advancement becomes a middleman in deals to recover stolen property from the Mob, thus earning a nice living. But his actions attract police attention and set him up for a double-cross.
Brothers Monte and Ray leave Oxford to join the Royal Flying Corps. Ray loves Helen; Helen enjoys an affair with Monte; before they leave on their mission over Germany they find her in still another man's arms.
Jim Fletcher, waking up from a coma, finds he is to be given a court martial for treason and charged with informing on fellow inmates in a Japanese prison camp during WWII. Escaping from ... See full summary »
After a short split prologue showing riches as the root of evil in ancient and modern times, the film settles into 1914 France, where the Orient Express is about to be wrecked when a bridge washes out. Among those on board are Al and Travis, Americans who are traveling Europe spending Travis' money, and Marie, a German girl. The boys save Marie after the wreck and Travis falls in love with her. When World War I breaks out Al wants to enlist, but Travis can't, feeling loyal to Marie, a German. By 1917 Al has enlisted, and Travis follows him shortly after marrying Marie. Accused of being a German spy by a Russian agent, she is sentenced to die but is recognized by Travis, who is part of the firing squad. The town they are in is shelled and they are all trapped underground, during which a minister makes a lengthy parallel to ancient times when the King of Akkad persecuted his subjects and defied Jehovah, who finally sends a flood to wipe out mankind, except for Noah and his family, whom ...Written by
Ron Kerrigan <,firstname.lastname@example.org>
Thirty-five ambulances were called to treat the wounded in the aftermath of the flood scene. See more »
During the flood sequence (1 hr. 29 min. approx.) Japheth (George O'Brien) is clearly repeatedly calling/mouthing "Maria" as he searches for Dolores Costello. Her name in the Biblical sequence is MIRIAM. (And even in the WW1 story, she is named Marie (Not Maria !).) See more »
Rich have been the harvests of field and hill. Wherefore, shall we not pay tribute to the mightiest of the gods, Jaghuth? When the next cycle of the moon rises from the Syrian hills, we shall sacrifice to Jaghuth the fairest virgin of our people.
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This premiered at 135 minutes, then was immediately cut for subsequent roadshow engagements, and then the "popular" run. Over 30 minutes of footage was taken out, including all the talking scenes involving Noah. This version was 11-reels in length(about 102 minutes). Producer Robert Youngson supervised a 1957 re-release, eliminating all talking sequences and inserting a narration. This version is 75 minutes long. See more »
The film which cemented versatile director Curtiz' reputation in Hollywood is a part-Talkie spectacular which, despite the title, is not entirely concerned with the famous holocaust depicted in the Old Testament. Rather, it purports to parallel the Deluge with the massive losses in human life incurred during the so-called Great War; in that respect, NOAH'S ARK survives not merely as a solid example of late 1920s film craftsmanship but also as a heartfelt morality play delineating the long-lasting effect of that particular combat upon society – pity that, for all its good intentions, a second (and infinitely harsher) World War would be waged in the space of just 11 years! Anyway, to get back to the topic at hand, I knew the film enjoyed a considerable reputation among epic productions of the Silent era but, aware of the fact that the Biblical tale was only illustrated in the form of a vision (lasting for about 40 of its 100 minutes) embedded within the main plot, I had expected to be disappointed by it. However, we open on a remarkably elaborate prologue (superbly-edited in the contemporary Soviet style) and the WWI sequences themselves are well done (featuring even a spectacular train crash early on) and prove surprisingly absorbing in their own right (especially the interaction between the four protagonists – Noah Beery, Dolores Costello, George O'Brien and Guinn "Big Boy" Williams). Incidentally, all four (and a few others) play additional roles in the Noah story; this section is done on a truly grand scale, in clear imitation of Cecil B. DeMille (with a couple of obvious nods to THE TEN COMMANDMENTS  which, coincidentally, I watched 2 days later!) – with the flood itself still highly impressive after all these years and undoubtedly deserving to be ranked among the finest sequences in all of cinema (though controversy still rages about the apparent disregard for the consideration and safety of those involved – with three extras reportedly drowning and several more getting injured during its shooting)!
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