William Fox and His Friends, Part 2

Dressed to KillMore from MoMA's spectacular retrospective (see part 1 of our guide here), skimming the cream from the top of the William Fox archives, a major studio whose films, apart from a few known classics by Frank Borzage, John Ford, et cetera, have been sunk in obscurity for too long. Fox opened his doors to experimental geniuses like F.W. Murnau and Erik Charell, and encouraged major talents like Ford, Howard Hawks, Raoul Walsh and Borzage to spread their wings.In Borzage’s masterpiece 7th Heaven, how many viewers have any problem with the glaring fact that the garret where Janet Gaynor lives is apparently reached by two completely different stairwells, one that’s angular, for the crane shot, and one that’s spiral for the overhead angle?UpstreamThe idea is consistent with the expressionist approach at Fox. Edgar G. Ulmer claimed that the German expressionists would build a new set for every camera angle,
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3 Bad Men

What's this? John Ford's last silent western is as exciting and entertaining as his later classics. A trio of horse thieves turn noble when given the responsibility of a young woman lost on the prairie; Ford gives the show comedy, drama and spectacle. 3 Bad Men Blu-ray Kl Studio Classics 1926 / B&W / 1:33 Silent Ap. / 92 min. / Street Date August 23, 2016 / 29.95 Starring George O'Brien, Olive Borden, Lou Tellegen, Tom Santschi, J. Farrell MacDonald, Frank Campeau, Priscilla Bonner, Otis Harlan, Phyllis Haver, Georgie Harris, Alec Francis, Jay Hunt . Cinematography George Schneiderman Original Music Dana Kaproff (2007) Written by John Stone, Ralph Spence, Malcolm Stuart Boylan from a novel by Herman Whittaker Produced and Directed by John Ford

Reviewed by Glenn Erickson

What a great discovery! Last year Kino brought us a good-looking disc of John Ford's Hurricane and now they take the bold step of issuing one of the director's oldest intact features,
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She Wore a Yellow Ribbon

John Ford puts a Technicolor sheen on Monument Valley in this second cavalry picture with John Wayne, who does some of his most professional acting work. Joanne Dru plays coy, while the real star is rodeo wizard Ben Johnson and the dazzling cinematography of Winton C. Hoch. She Wore a Yellow Ribbon Blu-ray Warner Archive Collection 1949 / Color / 1:37 flat Academy / 103 min. / Street Date June 7, 2016 / available through the WBshop / 21.99 Starring John Wayne, Joanne Dru, John Agar, Ben Johnson, Harry Carey Jr., Victor McLaglen, Mildred Natwick, George O'Brien, Chief John Big Tree. Cinematography Winton Hoch Art Direction James Basevi Film Editor Jack Murray Original Music Richard Hageman Written by Frank Nugent, Laurence Stallings from the stories War Party and The Big Hunt by James Warner Bellah Produced by Merian C. Cooper, John Ford Directed by John Ford

Reviewed by Glenn Erickson

Have you never seen real 3-Strip Technicolor used for terrific outdoor photography?
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Day of the Dead Movie List: Top 5 Most Freakish Living Dead, Undead, and Ghosts

Hell's Kitchen: Soul stew image likely from the 1922 Benjamin Christensen horror classic 'Häxan / Witchcraft Through the Ages.' Day of the Dead post: Cinema's Top Five Scariest Living Dead We should all be eternally grateful to the pagans, who had the foresight to come up with many (most?) of the overworked Western world's religious holidays. Thanks to them, besides Easter, Christmas, New Year's, and possibly Mardi Gras (a holiday in some countries), we also have Halloween, All Saints' Day, and the Day of Dead. The latter two are public holidays in a number of countries with large Catholic populations. Since today marks the end of the annual Halloween / All Saints' Day / Day of the Dead celebrations, I'm posting my revised and expanded list of the movies' Top Five Scariest Living Dead. Of course, by that I don't mean the actors listed below were dead when the movies were made.
See full article at Alt Film Guide »

First Best Actress and Best Actor Academy Award Winners Tonight

First Best Actor Oscar winner Emil Jannings and first Best Actress Oscar winner Janet Gaynor on TCM (photo: Emil Jannings in 'The Last Command') First Best Actor Academy Award winner Emil Jannings in The Last Command, first Best Actress Academy Award winner Janet Gaynor in Sunrise, and sisters Norma Talmadge and Constance Talmadge are a few of the silent era performers featured this evening on Turner Classic Movies, as TCM continues with its Silent Monday presentations. Starting at 5 p.m. Pt / 8 p.m. Et on November 17, 2014, get ready to check out several of the biggest movie stars of the 1920s. Following the Jean Negulesco-directed 1943 musical short Hit Parade of the Gay Nineties -- believe me, even the most rabid anti-gay bigot will be able to enjoy this one -- TCM will be showing Josef von Sternberg's The Last Command (1928) one of the two movies that earned
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The Forgotten: Rome Wasn't Burned in a Day

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Above: Rome burns, whereas Nero merely suffers a bit of nitrate decomposition.

Arturo Ambrosio, prolific producer (1313 titles on the IMDb) and specialist in early twentieth century epics of the ancient world (his career climaxed with a 1925 Quo Vadis? but also included the 1913 Last Days of Pompeii (I've seen it: a corker!) pulled out all the stops when releasing his 1909 Nerone (Nero; or The Fall of Rome). Almost three hundred and fifty prints were struck (I believe that's around the same number as accompanied the Us release of the Roland Emmerich Godzilla, to give you an idea) and the movie was accompanied by a sixteen page promotional booklet. That's more than one page per shot in the actual movie, which, being from 1909, is a bit skimpy by the standards of our modern super-films, weighing in at fourteen minutes and averaging one shot per minute.

Above: Home cinema, ancient Roman style.

The most interesting moment,
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The Best Movies of Everybody's (Second) Favorite Year: From Caligari to Pollyanna

In Robert Wiene’s 1920 dreamlike horror classic, veteran German actor Werner Krauss plays the mysterious Dr. Caligari, the apparent force behind a creepy somnambulist named Cesare and played by Conrad Veidt, who abducts beautiful Lil Dagover. The finale in The Cabinet of Dr. Caligari has inspired tons of movies and television shows, from Fritz Lang's 1944 film noir The Woman in the Window to the last episode of the TV series St. Elsewhere. In addition, the film shares some key elements in common (suppposedly as a result of a mere coincidence) with Martin Scorsese and Leonardo DiCaprio's 2011 thriller Shutter Island. The 1920 crime melodrama Outside the Law is not in any way related to Rachid Bouchareb's 2010 political drama. Instead, the Tod Browning-directed movie is a well-made entry in the gangster genre (long before the explosion a decade later). Browning, best known for his early '30s efforts Dracula and Freaks,
See full article at Alt Film Guide »

Mumbai Film Festival

The Mumbai Film Festival (October 18 – 25, 2012) is the largest film festival in India with over 100,000 attending. The Festival is 14 years old itself but Reliance Big Entertainment, the company that backs both Dreamworks and Im Global, one of U.S.’s foremost international sales agents, has backed this festival for the last 4 years and the result is a scaled up festival. It is part of the Mumbai Academy of Moving Image, a not for profit trust founded in 1997 by Indian Film Industry personalities led by renowned filmmaker late Hrishikesh Mukherji. Its 220 films are all free.

Parenthetically, though not part of the festival itself, Mumbai is "'in the news" with the Tiff's City-to-City program focusing on Mumbai. This was organized by Cameron Bailey directly with filmmakers in Mumbai and is not a Mumbai Film Festival program…Also of interest is that Mumbai also hosts India's largest international Queer Film Festival For Everyone which was held in May of this year with the Alliance Francaise de Bombay.

The Mumbai Film Festival also works with Unifance and French Rendez-Vous.

Sections include Discovery, Retrospective - this year to feature 50 years of the Cannes Critics Week, International Competition which awards $200,000 to a first feature.

Three new developments are taking place this year.

1. To celebrate 100 years of Indian cinema, the festival is launching a new competition for Indian films (called 'India Gold') with cumulative cash rewards of around $30,000 Us. The winners will be selected by an international jury to be announced.

2. The festival is moving to historic South Bombay. The festival, previously held mostly in the Juhu and Andheri districts of Mumbai – where Bollywood is located - will now take place in the south of the city, the historic center of old colonial Bombay with amazing Victorian landmarks – train station, court house, with the National Centre for the Performing Arts (Ncpa) and Inox Theatre as the main venues. The retrospective of restored films will be screened in a third theater - a historic art deco theater named the Liberty Cinema – so named because it was built in 1949, the year of India's independence from Britain. For more information on the Liberty see http://en.wikipedia.org/wiki/Liberty_Cinema

3. The Spotlight on Film Restoration and Preservation. For the first time, a section of the festival (programmed by Ian Birnie, U.S. Representative for the Mumbai Film Festival) will be devoted to screenings of restored classic films with a particular focus on Twentieth Century Fox. Screenings will be introduced by various archivists all of whom are leading experts in the field. A panel will bring together Western archivists and their Indian counterparts and the discussion will focus on the economic challenges and new technologies that are changing the future of film preservation.

The American participants are:

Schawn Belston, Senior VP, Library and Technical Services, Twentieth Century Fox

Margaret Bodde, Executive Director, The Film Foundation

Mike Pogorzelski, Director, The Academy Film Archive

Douglas Laible, Managing Director, World Cinema Foundation

TheTwentieth Century Fox Archive will present 8 films spanning 40 years in the 'Fox Classics' series. Note: all were restored in-house at Fox, and by Fox in association with the Academy Film Archive (Afa) and with The Film Foundation (Ff)

Sunrise (1928/b&w/94 min.) dir: F.W. Murnau; w /George O'Brien, Janet Gaynor, Margaret Livingston.(Fox/Afa)

How Green Was My Valley(1941/b&w/118 min.) dir: John Ford; w/ Walter Pigeon, Maureen O'Hara. (Fox/Afa)

Laura (1944/b&w/88 min.) dir: Otto Preminger; w/ Gene Tierney, Dana Andrews, Clifton Webb. (Fox in-house)

Leave Her to Heaven(1945/color/110 min.) dir: John Stahl; w/ Gene Tierney, Cornel Wilde, Jeanne Crain. (Fox/Afa/Ff)

Gentlemen Prefer Blondes (1953/color/91 min.) dir: Howard Hawks; w/ Marilyn Monroe, Jane Russell.(Fox in-house)

Wild River(1960/color/110 min./CinemaScope) dir: Elia Kazan; w/ Montgomery Clift, Lee Remick, Jo Van Fleet. (Fox/Afa/Ff)

The Leopard (1963/color/187 min.) dir: Luchino Visconti; w/ Burt Lancaster, Alain Delon, Claudia Cardinale.(Fox/Ff/Cineteca di Bologna)

Two for the Road(1967/color/110 min./Panavision) dir: Stanley Donen; w/ Audey Hepburn, Albert Finney. (Fox/Afa)

In addition to the Fox titles, 7 additional restored films will be screened.

The Academy Film Archive will present two recent restorations from their ongoing project to restore all the films by the great Indian director Satyajit Ray:

Charulata(1964/b&w/117 min.) w/ Soumitra Chatterjee, Madhabi Mukherjee, Shailen Mukherjee.

The Chess Players (1977/color/129 min.) w/ Sanjeev Kumar, Saeed Jaffrey, Shabana Azmi

The Film Foundation will present two recent restorations:

The Life and Death of Colonel Blimp (1945/color/163 min.) dir: Michael Powell, Emeric Pressburger; w/ Roger Livesey, Deborah Kerr, Anton Walbrook.

Once Upon a Time in America (1984/color/ ??? min.) dir: Sergio Leone; w/ Robert DeNiro, James Woods, Elizabeth McGovern.

The World Cinema Foundation will present its new restoration of a classic Indian film:

Kalpana (1948/b&w/155 min.)

The Cineteca Bologna will present two restored Italian silent classics as part of an Italian Cinema retrospective.

Sections of the Festival

Dimensions Mumbai, a short film competition of films dealing with any aspect of life in Mumbai and targeted to the Mumbai Youth below 25 years was introduced in 2008.

An International Competition for the First Feature Film of directors with the award money of Us $ 150,000 (Us $ 100,000 for the Best Film and Us $ 50,000 for the Jury Grand Prize) was introduced in 2009. The UK Film 'White Lightn'in won the 2011 Best Film Award and Austria-Italy co-production La Pivillina won the Jury Grand Prize.

The Audience Choice Award carrying U.S. $ 20,000 for any film participating in the Festival, (excepting the Retrospectives and Tribute sections) was introduced in 09 as well. The Indian Film 'Road to Sangam' won this award.

International Lifetime Achievement Award was conferred on the Greek filmmaker Theo Angelopoulos.

A new initiative Mumbai Young Critics was introduced in '09 as well. 24 college students selected from more than 80 aspirants recommended by the colleges in Mumbai went through a workshop conducted by the German writer and film critic Daniel Kothenschulte for three days before the Festival. This group watched the films in the festival, wrote about them in Festival publications and newspapers and also selected a film for the Mumbai Young Critics Award.

Last year the festival showcased over 200 films from 60 countries across various sections at its three venues- Cinemax Versova, Cinemax Sion and Metro Big Cinemas.

The festival hosts a special section ‘4me Rendez-Vous’, in collaboration with Unifrance, Embassy of France in India and Consulate General of France in Mumbai. The section screens the best of New French Cinema, which last year included ‘The Snows of Kilimanjaro’, ‘The Conquest’ and ‘Declaration of War’ amongst others.

Last year's highlight was the special presentation by Lee Yong Kwan, Director, Busan International Film Festival, who presented a selection of the latest Asian Films from Busan.

Lifetime Achievement Award was conferred on the legendary actor Morgan Freeman. Olivia Harrison widow of George Harrison presented the documentary film “George Harrison: Living in the material World”.

The Festival strengthened and consolidated its academic activities with an Indo-German Script Development Workshop scheduled from 11th to the 13th of October just ahead of the festival opening. Speakers at the workshop included the renowned directors Dani Levy, Thorsten Schulz, Screenwriters Anjum Rajabali and Sooni Taraporevala amongst others.

This year's Festival continues to facilitate cinema business with the Mumbai Film Mart, created 'by' the industry, 'for' the industry, 'in' the industry hub - Mumbai, the Film Capital of India. The Mumbai Film Mart saw participation from the biggest Entertainment Industry players, both from India and abroad. In the three days, over 2,000 meeting requests were received, 400 meetings were carried out face to face, while an equal number took place among the senior decision makers from leading film production houses, buyers, sellers, festival programmers and independent filmmakers as they milled around and networked with each other.

Among the many firsts, the Mart attracted all the forthcoming big ticket films such as ‘Ra One’, ‘Don 2’, ‘Rockstar’, ‘Ricky Behl v/s Ladies’, ‘The Dirty Picture’, ‘DesiBoyz’ , tabled for acquisition and distribution in the non-traditional markets for Indian Cinema in Japan, Korea, Taiwan, China, Germany, France and Latin America. The focus on these countries attracted leading buyers that included Huayi Brothers Media Corp. (China), NikkatsuCorp.(Japan), Happinet Corp.(Japan), Showbox (Korea), Apex Entertainment (Korea), Cj Entertainment (Korea), Top Films (Ukraine), Novo films (France), Rapid Eye (Germany), Im Global (USA), amongst many others.

The International Jury will be responsible choosing the winners out of 14 films, all first features of debut filmmakers around the world, awarding them with a huge cash prize. This way we would like to recognize and encourage the first time filmmakers, going in line with the festival theme of discovery.

Apart from the main international section, there are many other sections including the world cinema, Indian Frame, New Faces in Indian Cinema, Documentaries etc. Please do check out their website www.mumbaifilmfest.com for more information. Last year, it screened about 220 films from 60 countries.

Composition of Mami:

Shyam Benegal, Eminent Filmmaker – Chairman

Amit Khanna, producer, lyricist and Chairman of Reliance Entertainment

Amol Palekar, acclaimed actor-director

Ashutosh Gowarikar (Oscar Nominee - Best Foreign Language Film for Lagaan)

Farhan Akhtar, one of the youngest directors and actor

Jaya Bachchan, acclaimed and award winning actress

Karan Johar, director-producer of some of the most successful films at the box office

Ramesh Sippy, well known filmmaker of Sholay fame

Shabana Azmi, renowned actress who has won acclaim and awards Internationally

Yash Chopra, producer-director, doyen of the Hindi film industry.

Narayan is the Director and head programmer, Anu is second in command.

And there is a selection committee that screens all the competition films – industry people and critics in Mumbai.

About Reliance Big Entertainment

Reliance Big Entertainment Ltd. (Rbel) is the flagship media and entertainment arm of India's Reliance Anil Dhirubhai Ambani Group, with a significant presence in film entertainment (film production, distribution, and exhibition), broadcasting and new media ventures.

Rbel's motion picture brand, Reliance Big Pictures ( www.reliancebigpictures.com ) has built a impressive film production slate in Hindi, English & other Indian languages, which it markets and distributes worldwide. Following Reliance Big Picturess association with Im Global, the company now benefits from an international sales team with an excellent reputation and global presence dedicated to selling its Bollywood and regional language slate. Going into production in November is the $45 million ðDreddð, which Reliance Big Entertainment is co-financing with Im Global.

In Hollywood, Reliance Big Pictures has partnered with Steven Spielberg and Stacey Snider on the formation of DreamWorks Studios and hasdevelopment deals with Nicolas Cage's Saturn Films, Jim Carrey's Jc 23 Entertainment, George Clooney's Smokehouse Productions, Chris Columbus'1492 Pictures, Tom Hanksð Playtone Productions, Brad Pitt's Plan B Entertainment, Jay Roach's Everyman Pictures, Brett Ratnerðs Rat Entertainment,Julia Robertsð Red Om Films and Brian Grazer and Ron Howardðs Imagine Entertainment.

Also worth noting: the competition section of the festival is for first features and carries a Grand prize of Us$100,000 and a Jury prize of Us$50,000.00, with a percentage of the money of allocated to the sales agent who submitted the film. With 14 features, the odds are better than most lotteries… This was last year's lineup http://www.mumbaifilmfest.com/Mami/films_list.php The Salesman, one of the films their U.S. Representative Programmer, Ian Bernie (former longtime Lacma programmer) selected, won the Jury Award and Best Actor.
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Blu-ray Review: John Ford's "Fort Apache" (1948) Starring John Wayne And Henry Fonda

  • CinemaRetro
By Lee Pfeiffer

While most film historians consider She Wore a Yellow Ribbon to be the best of John Ford's fabled "Cavalry Trilogy", for my money Fort Apache was far and away the strongest of the films. Ribbon and Rio Grande are certainly excellent films but they are primarily compromised by Ford's penchant for overt sentimentality. Fort Apache, however, is a far more sinister look at the West, one that was decades ahead of its time in terms of presenting the case of the Native Americans in a sympathetic fashion. It's ironic that people like Marlon Brando, who extolled the cause of Native American rights, would cite Ford's films as having been detrimental to the Indian cause. In fact, Ford was so highly regarded by the Navajo that he was made an honorary member of the tribe, primarily because of his consistent efforts to improve their lives. Ford became
See full article at CinemaRetro »

National Film Registry. Have You Seen These Titles?

Porgy & Bess, in which Sidney Poitier and Dorothy Dandridge both lipsynched is one of the 25 inductees.The film is rarely screened, not all that well and regarded but badly in need of restoration. Is that what did it?Each year I read the press release list of the films admitted to the National Film Registry and promptly forget them. I guess I've never absorbed just what this does for the films beyond being an obviously prestigious honor. So this year rather than doing the usual read the titles and forget, I stopped, actually took a breath (a rarity on the web), wondered, and googled a bit. I stopped being lazy about it so you don't have to be either. I didn't just list titles below but actual information!

However I am still a bit confused as what the honor actually means beyond admittance into the Library of Congress. If this
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Forrest Gump, Bambi, The Silence Of The Lambs: National Film Registry 2011 Movies

Forrest Gump, Bambi, The Silence Of The Lambs: National Film Registry 2011 Movies
Best Picture winners The Lost Weekend (1945), Forrest Gump, and The Silence of the Lambs (1991), along with the Walt Disney Studios' animated classic Bambi (1942), Charles Chaplin's silent comedy-drama The Kid (1921), and Howard Hawks' early screwball comedy Twentieth Century (1934) are among the 25 "culturally, historically or aesthetically" significant movies just added to the Library of Congress' National Film Registry. Directed by Billy Wilder, The Lost Weekend earned Ray Milland a Best Actor Oscar for his portrayal of an alcoholic. Jonathan Demme's The Silence of the Lambs earned Oscars for both leads, Anthony Hopkins and Jodie Foster. A monumental box-office hit in the mid-'90s and a paean to idiocy and conformism, Forrest Gump earned Tom Hanks his second back-to-back Oscar (he had won the previous year for Demme's Philadelphia). As per the National Film Registry's release, Bambi was Walt Disney's favorite among his studio's films. (That's all fine,
See full article at Alt Film Guide »

My favourite film: Readers' comments – week four

We're picking out your finest responses to our My favourite film series, for which Guardian writers have selected the movies they go back to time and again.

Here's a roundup of how you responded in week four, when the selections were Withnail & I, Rushmore, Sunrise: A Song of Two Humans, Backbeat and In Bruges

"You can't ruin a film by quoting it," said magicman of Withnail & I, the pic that opened the fourth week of our series on our writers' favourite films. But, by God, you can try. A full half of the 447 comments that joined Tim Jonze in raising a glass to Bruce Robinson's ragtag comedy reproduced Withnail's wisdom to the letter. Withnail and Marwood fled the city for an accidental holiday again. Uncle Monty made his intentions forcefully clear once more. Camberwell carrots were rolled, fights were weasled out of. Something's flesh remained. It all happened here,
See full article at The Guardian - Film News »

My favourite film – Sunrise: A Song of Two Humans

Pamela Hutchinson tops up our writers' favourite film series with a passionate paean to Fw Murnau's monochrome melodrama

• This film review leave you speechless? Feel free to sound off in the comments below

The twist is supposed to arrive at the end of the movie, but Sunrise: A Song of Two Humans pulls the rug from under our feet just a third of the way in. We're suddenly offered a chance of happiness, as the film diverts down an unexpected path. It's a disconcerting but ultimately liberating jolt – as if Humphrey Bogart had stopped following Lauren Bacall around in The Big Sleep and taken that nice librarian out for dinner instead.

Sunrise begins, as so many great films do, with the promise of sex and the threat of violence. Two clandestine lovers meet in the moonlight and dream of committing the perfect murder. But is Man (George O'Brien) really prepared
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The Iron Horse, The Kid, Underworld: Shasta County Silent Film Festival

Josef von Sternberg, Charles Chaplin, John Ford: Shasta County Silent Film Festival Friday, October 21 6:00 p.m. Angora Love (1929, Laurel & Hardy). Stanley and Oliver are adopted by a runaway goat, whose noise and aroma in turn get the goat of their suspicious landlord. Attempts to bathe the smelly animal result in a waterlogged free-for-all. Pass the Gravy (1928, Max Davidson). Max Davidson plays a widower father who enjoys raising prize flowers. His neighbor, another widower father, raises prize poultry. The two families spat because the chickens are eating Max's flower seeds. In a Romeo and Juliet-like twist, the men's children decide to marry each other, and the fathers decide to hold a celebratory dinner to show no hard feelings. However, the roast chicken on the table looks very suspicious. It's a Gift (1923, Snub Pollard) Along with a Felix the Cat. A group of oil magnates are trying to think of new ways to attract business.
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Josef von Sternberg, Charles Chaplin, John Ford: Shasta County Silent Film Festival

The 6th Annual Silent Film Festival at Shasta County, Calif., to be held October 21-22 at the Shasta County Arts Council's Performance Hall, will feature an eclectic group of silent-movie classics. Those range from Josef von Sternberg's crime drama Underworld (1927) to Carl Theodor Dreyer's marital drama Master of the House (1925). [Full schedule of the Shasta County Silent Film Fest.] Also: Rin Tin Tin in Clash of the Wolves, featuring Charles Farrell (who would later team up with Janet Gaynor to become one of the most popular screen couples of the late silent era/early talkie era); John Ford's ambitious Western The Iron Horse (1924), starring George O'Brien and Madge Bellamy; and the Douglas Fairbanks romantic comedy When the Clouds Roll By (1919), directed by Victor Fleming of Gone with the Wind and The Wizard of Oz fame. Attending the festival will be silent-film restorationist and historian David Shepard and Bay Area Royal Jazz Society's Frederick Hodges. Check out
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Cinecon 2011 Movie Schedule: East Side, West Side; Practically Yours; Stronger Than Death

Claudette Colbert, Alla Nazimova, Marion Davies, Charles Boyer: Cinecon 2011 Thursday September 1 (photo: Alla Nazimova) 7:00 Hollywood Rhythm (1934) 7:10 Welcoming Remarks 7:15 Hollywood Story (1951) 77 min. Richard Conte, Julie Adams, Richard Egan. Dir: William Castle. 8:35 Q & A with Julie Adams 9:10 Blazing Days (1927) 60 min. Fred Humes. Dir: William Wyler. 10:20 In The Sweet Pie And Pie (1941) 18 min 10:40 She Had To Eat (1937) 75 min. Jack Haley, Rochelle Hudson, Eugene Pallette. Friday September 2 9:00 Signing Off (1936) 9:20 Moon Over Her Shoulder (1941) 68 min. Dan Dailey, Lynn Bari, John Sutton, Alan Mowbray. 10:40 The Active Life Of Dolly Of The Dailies (1914) 15 min. Mary Fuller. 10:55 Stronger Than Death (1920) 80 min. Alla Nazimova, Charles Bryant. Dir: Herbert Blaché, Charles Bryant, Robert Z. Leonard. 12:15 Lunch Break 1:45 Open Track (1916) 2:00 On The Night Stage (1915) 60 min. William S. Hart, Rhea Mitchell. Dir: Reginald Barker. 3:15 50 Miles From Broadway (1929) 23 min 3:45 Cinerama Adventure (2002). Dir: David Strohmaier. 5:18 Discussion
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Claudette Colbert, Alla Nazimova, Marion Davies, Charles Boyer: Cinecon 2011

Director Allan Dwan, actor George O'Brien, cinematographer George Webber, East Side, West Side Are you a movie lover in Los Angeles, unable to travel either to Venice or Telluride? Don't despair. L.A. has its own glamorous film festival this weekend. It's called Cinecon, now in its 47th year. What's more: unlike the vast majority of movies screening at the more highly publicized Venice and Telluride — which will shortly be made available at theaters, DVD stores, or online streaming services — most Cinecon movies are nearly impossible to be seen anywhere else. In other words, it's September 1-5 at the Lloyd E. Rigler Theatre at Grauman's Egyptian on Hollywood Boulevard or (quite possibly) never. [Cinecon 2011 Schedule.] This year's Cinecon rarities includes the following: The first Los Angeles area screening in eight decades of Allan Dwan's East Side, West Side (1927), a risque silent drama starring Sunrise's George O'Brien and Virginia Valli, the
See full article at Alt Film Guide »

Alexander Payne, Kevin Brownlow, Leonard Maltin: San Francisco Silent Film Festival 2011

George O'Brien, Margaret Livingston in F. W. Murnau's Sunrise Election and Sideways director Alexander Payne, whose The Descendants is scheduled to open later this year, will be a guest presenter at the 2011 San Francisco Silent Film Festival (Sfsff). According to the Sf Silent Film Festival's press release, Payne "grew up watching silent films that he sent away for from the Blackhawk Films collection." Payne has yet to announced which film he'll introduce. Guy Maddin, Terry Zwigoff, and Pete Docter showed up as guest presenters in previous editions of the festival. Payne's The Descendants stars George Clooney. The filmmaker is currently working on his [...]
See full article at Alt Film Guide »

Reviews Of Silent Era Gems From The Warner Archives: "The Merry Widow", "Don Juan" And "Noah's Ark"

  • CinemaRetro
By Doug Gerbino

Warner Archive has just released three classic silent (or part-silent) films. The Merry Widow (1925), Don Juan (1926) and Noah's Ark (1929). These three films are among the best-remembered hits of the late silent, early sound era. First, let's start with The Merry Widow (1925, MGM). This film stars Mae Murray and John Gilbert and was directed by Erich von Stroheim. Much has been documented about von Stroheim's excesses as a director. This was his first film after the infamous debacle known as Greed. Hollywood legend has it that while going through the daily rushes of this film with MGM chief Irving Thalberg, von Stroheim showed a single 10-minute take of one the character's shoe closet. When Thalberg questioned the 10 minute shot of shoes, von Stroheim said, "This is to establish that the character has a foot fetish." Thalberg supposedly replied, "And you have a footage fetish!" Loosely based on the
See full article at CinemaRetro »

Tiff 2010. Final Images

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All (covert, low quality) photos below from the Tiff Bell Lightbox exhibit Essential Cinema.

Below: Annotated script of F.W. Murnau's Sunrise (1927).  In the second photo you can see the cast's names (George O'Brien, Janet Gaynor) written next to the German text.

Below: a sketch diagram of a man falling from a height for Hitchcock's Vertigo (1958).  Caught in the reflection, Martin Arnold's Jeanne (2002), which uses footage from Dreyer's The Passion of Joan of Arc (1928).

Below: in the lobby of the Lightbox is one of those "hip," newfangled "interactive" "new media" kinds of things, where you text a code picking one of the essential 100 films ever made, and add any comment you'd like.  A random, flittering few seconds of a clip of that film are then nearly instantly played on a giant wall in the lobby, displaying the title and the comment.  Below an intrepid attendee interacts with the exhibit
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